CEOOL

The article deals with the consideration that in spite of the fact that artistic creation is firstly an active work, the artist sometimes is not the only determinant factor of the value of the artwork, therefore some senses of the work that have not been predicted or consciously embodied by the artist might emerge. Creative inspiration, which creates the conditions for the appearance of something unpredicted, has been usually explained as the highest form of the creativity of the artist. We reconstruct Heidegger’s innovative thought about the creativity as a partly passive attitude of the artist in the first chapter of the article. The second part deals with the development of the ideas of creation as a specific form of inactivity of the artist in the works of Hans-Georg Gadamer, Maurice Merleau-Ponty, Theodor Adorno and later French philosophers Gilles Deleuze, Felix Guattari, and Alain Badiou. We look into their concepts that are formulated on purpose to explain the possibilities of the artistic creation, which might interrupt the standardized, stereotypical life, to promote the appearance of something unplanned and unforeseen

The 2014 European Parliament elections in Lithuania were successful for mainstream political parties: no new-born political movement came up in the political scene; no open Euro-sceptic party was able to gain any seats. But such a victory came at a price: the major European topics (joining the euro- zone, land-ownership by the foreigners) were left aside; the EP electoral campaign was overshadowed by Presidential elections with populist discussions about Russian threats and national security. The coincidence of two political campaigns boosted the voter turnout and made a significant impact on the distribution of MEP seats; because of the higher turnout, smaller parties were able to enter the EP, while two established parties with devoted core voters suffered some losses compared to the 2009 EP elections